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There's Always a Book Inside You
 
Do you ever have those days when you don't know what to write about? And worse, do those days turn into weeks and months, even years?

You're not alone. I know this for a fact because people email me and send me letters about it all the time.

According to most surveys, 80% of people feel they have a writer inside, someone who could - and thinks they should - write a book at some point in their lives. That's a huge statistic.

So huge that it's the kind of percentage that would have marketers foaming at the mouth! But experience shows that only around 5% actually get around to any kind of serious writing in their lifetimes - and only around 1% of that 5% end up getting paid to do it.

That's why, in marketing terms, writing remains a niche - one of those nebulous terms that means 'so specialized' as to be largely irrelevant to modern demographics.

Clearly that doesn't quash the urge to write for most of us. But this issue of "I want to write but I can't think what to write about" remains for many a point of frustration for much of their lives.

My feeling is that is usually caused by having too high expectations of ourselves.

We tend to think that our words and sentences should be good and wonderful the moment we put them down on paper. The beginner can feel immense distress after writing a paragraph and realizing it's either awful, or nothing like the thought they wanted to transfer.

We should take comfort in the fact that this phenomenon is as true for seasoned writers as it is for the beginner!

Removing the barrier between our thoughts and their expression is something a writer may take a lifetime to learn - and never quite thoroughly master.

I think it was Evelyn Waugh who said that he found writing in his old age much harder than in his youth because the more he tried to get down precisely what he meant, the more laborious the process seemed to become. A few throw away lines that may have sufficed as a younger man became pages of exposition that delved further and deeper into delicate nuances that seemed almost impossible for him to capture.

Churchill expressed the same concerns as he aged - and his works became longer and denser.

One of my intentions with The Easy Way to Write is to short circuit this dilemma.

Because I believe that our subconscious minds have a much better grasp on writing, story, theme, structure and style than our conscious, rational minds.

This is one of the reasons why thinking too much doesn't seem to help us write. Thinking is thinking.

But writing is writing. And the only way to solve a writing problem - a block or a lack of ideas - is to write.

I've noticed this over and again. That if you switch off your inner critic somehow - ignore it, or deliberately suppress it - and just write the first thing that comes into your head, then the subconscious somehow kicks in and takes over.

And this is not just the case for short pieces. I've also noticed that if you write every day, the subconscious can actually guide you through an entire novel. I used to marvel at how my brain could even begin to hold a 150,000 word opus in mind all at the same time - until I realized it can't, and doesn't.

It's the subconscious that does this job. It holds the novel in a  hidden databank. And if you're true to yourself - and have an objective moral compass - then your storylines tend to surface naturally.

Writing professors will often tell you about their favorite novelists who've managed to weave profound themes into their work - and still created superb prose to house them.

But this is to misunderstand the process a writer uses.

I've yet to see a writer interviewed who will say they had all their themes - even subject matter - worked out before they started writing. This is not how it works. Themes, indeed stories, characters and plots are subconscious manifestations of the writer's mindset and attitudes that come through the work, rather than being deliberately planned and executed to any formula.

At best, writing is a mysterious process that defies explanation.

But this is good. It means that all of us can do it - if we let go of any preconceptions or expectations of our abilities.

Let go, and write.

Don't think, and write.

That is, to me, the easy way to write.

Thanks for reading.

Keep Writing!

- Rob Parnell

Rob Parnell is a well-established author who dares to be a tall poppy and is developer of the Easy Way to Write Course.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A Story is a Promise & The Spirit of Storytelling by Bill Johnson. $3.50 from Smashwords.com
A Story is a Promise offers a deep look into the mechanics of how to tell a story and how a story engages and rewards the attention of an audience. Examples are used from popular books, movies, and plays. The Spirit of Storytelling focuses on how writers can transcend their personal issues when they write and give story characters fully realized internal lives.

 

Writing Is Rewriting by Noelene Jenkinson. $3.99 from Smashwords.com
This creative writing guide for all aspiring authors, WRITING IS REWRITING, is packed with all the basic essentials and key elements of writing good fiction. It covers how to plan novels and focus on story, structure and rewriting. Noelene Jenkinson is the multi-published author of six novels.

 

Writing Skills by mack leon. $4.25 from Smashwords.com
The biggest change to the new SAT is the addition of a Writing section; however, all of the material in this section isn’t entirely new. The Writing section has three parts; the first two are multiple choice, and the last is essay writing.

 
 

Writing Between the Sexes by Leigh Michaels. $2.99 from Smashwords.com
Nonfiction. Men and women think, talk, and act differently -- which causes problems for writers who are trying to create characters of the opposite sex. Award-winning author Leigh Michaels (author of On Writing Romance) shares the secrets of why and how men and women are different and how to use the differences to create realistic -- but not stereotypical -- characters.

 

Starve Better: A Survival Guide for Writers of Genre Fiction by Apex Publications. $3.99 from Smashwords.com
Starve Better offers writing techniques such as how to get (relatively) high-paying assignments in second and third-tier magazines, how to react to your first commissioned assignment, and how to find gigs that pay NOW as the final notices pile up and the mice eat the last of the pasta in the cupboard.

 

Dealing with grumpy editors (a media survival guide) by Dan Kaufman. $4.99 from Smashwords.com
Dan Kaufman has seen what does and doesn’t work when it comes to how PR deals with the media – after all, he’s been an editor and a journalist across newspapers, magazines and online for over 17 years. This is his guide to what editors are looking for in a pitch, what drives them nuts, and what the best ways are for you, or your client, to get mentioned in the media.

 

A Writer’s Quick Reference Guide to Words by DeAnn Sicard. $2.99 from Smashwords.com
Today more and more writers are finding time is a precious commodity. This books helps the busy writer by having readymade lists of compiled of words and phrases divided for quick and easy reference. The lists were pulled together to help all writers, no matter the age, educational needs or professional status. An example of lists included; classify and divide, intensify, misused words

 

Guide To Writing & Publishing Science Fiction, Fantasy, Horror by Rob Shelsky. $2.99 from Smashwords.com
Want to write science fiction, fantasy, or horror? Want to be published for money? Don't want to wait forever to do it? Then Author Rob Shelsky’s Guide To Writing & Publishing Science Fiction, Fantasy, Horror is a must read! Based on seven years’ worth of carefully researched articles, this is a practical guide, a simple, step-by-step process on how to write AND get your work published!

InDesign On-Demand: Low Budget Publishing Digitally by David Bergsland. $9.99 from Smashwords.com
Help for authors & teachers publishing in the new millennium The focus of this book is very sharp. It is designed for people who are designing books and booklets with very limited capital and few personnel resources. It is a sharing of techniques for the new wave of author/pastor/teacher/designers who need to get their work published digitally & online: printed, ePUB, Kindle, Smashwords, & more.


 
 
 
 
 
 
 
 
 
The Writer's Digest Guide to Manuscript Formats
 
 
 
The Tall Poppy Syndrome
by Rob Parnell

Why is it that the more successful you become, the better you get at doing what you do, the more people want to criticize you?

It's a bizarre phenomenon that seems to be far more prevalent in Australia than in the US. In fact, in Australia, we have a name for it. It's called the Tall Poppy Syndrome.

It assumes that if you achieve success - or even want to be noticed for something you're doing, then everyone else has a right to cut you down. To the extent that 'it's your own fault' for raising your head above the other flora. It doesn't matter how proud or good and right you are - the fact you have the audacity to stand tall must mean you deserve every bit of criticism you get!

I've read that Americans love success - in whatever arena, artistically, creatively, even in business. it doesn't matter - success is the pinnacle of the American Way. Which is cool.

Not so in Australia. Success is treated with suspicion, even fear by the locals who seem to regard talent and vision as some some kind of illness of which you need to be cured. If not, then beaten down like some leprose interloper and driven back into obscure, safe normality.

Success goes against the Australian Way - where the culture is based on equality and fraternity. But it's telling that anyone who's ever made it artistically in Australia ends up leaving these blessed sun-burnt shores. And who can blame them?

They all have the same complaint. That not only are artists unappreciated in the land of Oz, they can't get anything done! The entire culture flattens initiative, stifles talent, squashing new projects so fast you can barely hear the wheeze of dying artists.

I used to think it was a generational thing.

I remember my mother - and many of her ilk who grew up in the 1940s and 50s - that encouraged their children not to get ahead of themselves, to accept a life of 'security' and quiet desperation. I kind of understood it. I'm sure that anyone who lived in the decades after the second world war would have felt that way. It was a tough time. It was hard to survive on a daily basis, let alone fight your way out of the gray mire to do something worthy.

Times have changed. That war is over.

I grew up in the 80s - a time when you were encouraged to express yourself - in almost ridiculous ways - but still there were those who said, take it easy, artistic success happens to others, not you. Go back to your day job - be realistic!

But now there's no excuse.

Okay so there's yet another recession - we're being encouraged to tighten our belts. But this is an artist's age, surely. Apart from the banks, as always, who's making all the money?

The media. Movies, TV, computer games, books, online information - that's where the fortunes are being made. And that's where we as artists should be heading. To take part in the burgeoning entertainment and informational markets.

But watch out - that way lies the trap of fame!

It's unfashionable to say so but I think being famous is quite hard. Imagine it was you, standing there, paraded in front of the public week after week - and all you get is people taking potshots at you: questioning your motives, denigrating your talent, setting out to undermine your confidence on a systematic basis - when all you want to be is creative.

Can you imagine how that would make you feel?

Putting out your books and stories, laying your soul and your unique vision bare to the world - only to be consistently attacked and put down by critics and those with smaller minds.

Why is that? Why?

Because still, in 2007, most ordinary people fear success - other people's that is.

Why do you think the media follows around movie and pop stars, intent on discovering their secrets and exposing their faults?

Obvious. Because it's easy. And to level them - to cut them down. To reassure the public that money and power bring you nothing - and least of all: respect.

It takes a special kind of person to handle fame and success nowadays - but maybe that's what those who criticize you hate the most.

That you're special - and they are not.

Keep writing!

Essential Resources:                    Writing Books:                                                  
 
2011 Writer's Market                    J. Michael Straczynski             
The Elements of Style                   The Writer's Book of Checklists
Elements Of Editing                      A Writer's Handbook from A to Z
Building Fiction...Plot                   Children's Writer's Reference
Keys to Great Writing                    Novel & Short Story Writer's Market
2011 Guide to Literary Agents      WD Guide to Manuscript Formats                                                

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